New School Course Reviews
The New School
Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
---|---|---|---|---|---|---|
CATM 3225 | Dictation 3A | 0 | 0 | 0 | 0 | 0 |
CATM 3102 | Dictation III | 0 | 0 | 0 | 0 | 0 |
CATM 3103 | Theory III | 0 | 0 | 0 | 0 | 0 |
CATM 3104 | Analysis I | 0 | 0 | 0 | 0 | 0 |
CATM 3105 | Keyboard II | 0 | 0 | 0 | 0 | 0 |
CATM 3106 | Orchestration II | 0 | 0 | 0 | 0 | 0 |
CATM 3135 | Piano Class 3A | 0 | 0 | 0 | 0 | 0 |
CATM 3136 | Piano Class 3B | 0 | 0 | 0 | 0 | 0 |
CATM 3157 | Ear Training Skills Lab 3 + 4 | 0 | 0 | 0 | 0 | 0 |
CATM 3206 | Theory 3B | 0 | 0 | 0 | 0 | 0 |
CATM 3209 | Theory 3A Midflex | 0 | 0 | 0 | 0 | 0 |
CATM 3216 | Ear Training 3B | 0 | 0 | 0 | 0 | 0 |
CATM 3101 | Ear Training III | 0 | 0 | 0 | 0 | 0 |
CATM 3229 | Dictation 3A Midflex | 0 | 0 | 0 | 0 | 0 |
CATM 3246 | Keyboard 2B | 0 | 0 | 0 | 0 | 0 |
CATM 3255 | Analysis 1A | 0 | 0 | 0 | 0 | 0 |
CATM 3257 | Analysis 1 | 0 | 0 | 0 | 0 | 0 |
CATM 3260 | Form and Analysis for Undergraduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 3270 | Techniques of Music Since 1900 for Undergraduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 4100 | Theory 4A: Tonal Composition | 0 | 0 | 0 | 0 | 0 |
CATM 4102 | Dictation IV | 0 | 0 | 0 | 0 | 0 |
CATM 4104 | Analysis II | 0 | 0 | 0 | 0 | 0 |
CATM 4106 | Theory 4B: Tonal Composition | 0 | 0 | 0 | 0 | 0 |
CATM 4109 | Ear Training IV Sight-Reading For Singers | 0 | 0 | 0 | 0 | 0 |
CATM 1299 | Dictation 1A Midflex | 0 | 0 | 0 | 0 | 0 |
CATM 1105 | Theory 1A Intensive | 0 | 0 | 0 | 0 | 0 |
CATM 1108 | Piano Class I / Beginning | 0 | 0 | 0 | 0 | 0 |
CATM 1116 | Ear Training 1B Intensive | 0 | 0 | 0 | 0 | 0 |
CATM 1126 | Dictation 1B Intensive | 0 | 0 | 0 | 0 | 0 |
CATM 1136 | Piano Class 1B | 0 | 0 | 0 | 0 | 0 |
CATM 1206 | Theory 1B | 0 | 0 | 0 | 0 | 0 |
CATM 1208 | Piano Class I / Intermediate | 0 | 0 | 0 | 0 | 0 |
CATM 1215 | Ear Training 1A | 0 | 0 | 0 | 0 | 0 |
CATM 1217 | Ear Training 1A Midflex | 0 | 0 | 0 | 0 | 0 |
CATM 1225 | Dictation 1A | 0 | 0 | 0 | 0 | 0 |
CATM 1257 | Ear Training Skills Lab 1 | 0 | 0 | 0 | 0 | 0 |
CATM 4207 | ToM Integrated Skills 4 | 0 | 0 | 0 | 0 | 0 |
CATM 2102 | Dictation II | 0 | 0 | 0 | 0 | 0 |
CATM 2105 | Keyboard I | 0 | 0 | 0 | 0 | 0 |
CATM 2108 | Piano Class II | 0 | 0 | 0 | 0 | 0 |
CATM 2136 | Piano Class 2B | 0 | 0 | 0 | 0 | 0 |
CATM 2206 | Theory 2B | 0 | 0 | 0 | 0 | 0 |
CATM 2215 | Ear Training 2A | 0 | 0 | 0 | 0 | 0 |
CATM 2219 | Ear Training/Dictation 2B | 0 | 0 | 0 | 0 | 0 |
CATM 2225 | Dictation 2A | 0 | 0 | 0 | 0 | 0 |
CATM 2245 | Keyboard 1A | 0 | 0 | 0 | 0 | 0 |
CATM 2257 | Ear Training Skills Lab 2 | 0 | 0 | 0 | 0 | 0 |
CATM 3100 | Composition For Non-Majors | 0 | 0 | 0 | 0 | 0 |
CATM 5306 | Techniques of the Modern Era 1B | 0 | 0 | 0 | 0 | 0 |
CATM 5105 | Full Year Theory Review/Pt. 2 | 0 | 0 | 0 | 0 | 0 |
CATM 5108 | Techniques Of The Modern Era | 0 | 0 | 0 | 0 | 0 |
CATM 5110 | Piano Class For Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5115 | Piano For Singers | 0 | 0 | 0 | 0 | 0 |
CATM 5125 | Dictation 1A Intensive for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5135 | Full Year Theory Review for Graduate Students 1A | 0 | 0 | 0 | 0 | 0 |
CATM 5177 | Techniques of the Modern Era & Advanced Analysis | 0 | 0 | 0 | 0 | 0 |
CATM 5207 | Graduate Techniques of Music Skills Review | 0 | 0 | 0 | 0 | 0 |
CATM 5216 | Grad Ear Training 1B | 0 | 0 | 0 | 0 | 0 |
CATM 5219 | GR Ear Training 1A Midflex | 0 | 0 | 0 | 0 | 0 |
CATM 5226 | Dictation 1B for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5102 | Dictation I For Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5502 | Dictation V | 0 | 0 | 0 | 0 | 0 |
CATM 5527 | Form and Analysis | 0 | 0 | 0 | 0 | 0 |
CATM 5530 | Graduate Analysis: Accelerated Course | 0 | 0 | 0 | 0 | 0 |
CATM 5577 | Graduate Analysis | 0 | 0 | 0 | 0 | 0 |
CATM 5605 | Advanced Theory for Graduate Students 1 | 0 | 0 | 0 | 0 | 0 |
CATM 5625 | Dictation 5A | 0 | 0 | 0 | 0 | 0 |
CATM 5626 | Dictation 5B | 0 | 0 | 0 | 0 | 0 |
CATM 5700 | Writing Projects | 0 | 0 | 0 | 0 | 0 |
CATM 6110 | Music of Stravinsky | 0 | 0 | 0 | 0 | 0 |
CATM 6150 | Improvisation in Contemporary Music | 0 | 0 | 0 | 0 | 0 |
CATM 6401 | Tone Poems | 0 | 0 | 0 | 0 | 0 |
CATM 5010 | Graduate Music Theory Placement | 0 | 0 | 0 | 0 | 0 |
CATM 4211 | 20Th Century Post-Tonal Theory | 0 | 0 | 0 | 0 | 0 |
CATM 4226 | Dictation 4B | 0 | 0 | 0 | 0 | 0 |
CATM 4236 | Ear Training 4B | 0 | 0 | 0 | 0 | 0 |
CATM 4245 | Keyboard 3A | 0 | 0 | 0 | 0 | 0 |
CATM 4255 | Analysis 2A | 0 | 0 | 0 | 0 | 0 |
CATM 4257 | Analysis 2 (Schenkerian) | 0 | 0 | 0 | 0 | 0 |
CATM 4306 | Score Reading 1B | 0 | 0 | 0 | 0 | 0 |
CATM 5000 | Piano Class for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5002 | Remediation: Undergraduate Theory 2A | 0 | 0 | 0 | 0 | 0 |
CATM 5005 | Remediation: Undergraduate Theory 3B | 0 | 0 | 0 | 0 | 0 |
CATM 5008 | Remediation: Undergraduate Ear Training 1B | 0 | 0 | 0 | 0 | 0 |
CATM 1102 | Dictation I | 0 | 0 | 0 | 0 | 0 |
CATM 5012 | Ear Training Review for GR Std | 0 | 0 | 0 | 0 | 0 |
CATM 5013 | Ear Training Review for Graduate Students: B | 0 | 0 | 0 | 0 | 0 |
CATM 5015 | Remediation: Undergraduate Ear Training 3B | 0 | 0 | 0 | 0 | 0 |
CATM 5017 | Remediation: Undergraduate Ear Training 4B | 0 | 0 | 0 | 0 | 0 |
CATM 5023 | Remediation: Undergraduate Dictation 2B | 0 | 0 | 0 | 0 | 0 |
CATM 5025 | Dictation Review for Graduate Students: B | 0 | 0 | 0 | 0 | 0 |
CATM 5027 | Remediation: Undergraduate Dictation 4B | 0 | 0 | 0 | 0 | 0 |
CATM 5041 | Keyboard Review for Graduate Students: B | 0 | 0 | 0 | 0 | 0 |
CATM 5044 | Remediation: Undergraduate Keyboard 3A | 0 | 0 | 0 | 0 | 0 |
CATM 5050 | Time Tools: Rhythm and Pulse | 0 | 0 | 0 | 0 | 0 |
CATM 5066 | Graduate Theory 4B: Tonal Composition | 0 | 0 | 0 | 0 | 0 |
CATM 3267 | Form & Analysis | 0 | 0 | 0 | 0 | 0 |
CATM 2226 | Dictation 2B | 0 | 0 | 0 | 0 | 0 |
CATM 2246 | Keyboard 1B | 0 | 0 | 0 | 0 | 0 |
CATM 3205 | Theory 3A | 0 | 0 | 0 | 0 | 0 |
CATM 3207 | ToM Integrated Skills 3 | 0 | 0 | 0 | 0 | 0 |
CATM 3215 | Ear Training 3A | 0 | 0 | 0 | 0 | 0 |
CATM 3219 | Ear Training/Dictation 3B | 0 | 0 | 0 | 0 | 0 |
CATM 3226 | Dictation 3B | 0 | 0 | 0 | 0 | 0 |
CATM 3245 | Keyboard 2A | 0 | 0 | 0 | 0 | 0 |
CATM 3247 | Keyboard 2 (A+B) | 0 | 0 | 0 | 0 | 0 |
CATM 3256 | Analysis 1B | 0 | 0 | 0 | 0 | 0 |
CATM 3259 | Analysis 1A Midflex | 0 | 0 | 0 | 0 | 0 |
CATM 2216 | Ear Training 2B | 0 | 0 | 0 | 0 | 0 |
CATM 3299 | Ear Training 3A Midflex | 0 | 0 | 0 | 0 | 0 |
CATM 4101 | Ear Training IV | 0 | 0 | 0 | 0 | 0 |
CATM 4103 | Theory IV | 0 | 0 | 0 | 0 | 0 |
CATM 4105 | Keyboard III | 0 | 0 | 0 | 0 | 0 |
CATM 4107 | Score Reading | 0 | 0 | 0 | 0 | 0 |
CATM 4206 | Theory 4B | 0 | 0 | 0 | 0 | 0 |
CATM 4210 | 20Th Century Tonal Theory | 0 | 0 | 0 | 0 | 0 |
CATM 4225 | Dictation 4A | 0 | 0 | 0 | 0 | 0 |
CATM 4235 | Ear Training 4A | 0 | 0 | 0 | 0 | 0 |
CATM 4239 | Adv. Ear Training/Dictation | 0 | 0 | 0 | 0 | 0 |
CATM 4246 | Keyboard 3B | 0 | 0 | 0 | 0 | 0 |
CATM 1207 | ToM Integrated Skills 1 | 0 | 0 | 0 | 0 | 0 |
CATM 0003 | Undergraduate Dictation Placement | 0 | 0 | 0 | 0 | 0 |
CATM 1006 | Dictation I Intensive | 0 | 0 | 0 | 0 | 0 |
CATM 1015 | ET/Dictation Fundamentals 1A | 0 | 0 | 0 | 0 | 0 |
CATM 1026 | Theory Fundamentals 1B | 0 | 0 | 0 | 0 | 0 |
CATM 1101 | Ear Training I | 0 | 0 | 0 | 0 | 0 |
CATM 1103 | Theory I | 0 | 0 | 0 | 0 | 0 |
CATM 1106 | Theory 1B Intensive | 0 | 0 | 0 | 0 | 0 |
CATM 1115 | Ear Training 1A Intensive | 0 | 0 | 0 | 0 | 0 |
CATM 1125 | Dictation 1A Intensive | 0 | 0 | 0 | 0 | 0 |
CATM 1135 | Piano Class 1A | 0 | 0 | 0 | 0 | 0 |
CATM 1205 | Theory 1A | 0 | 0 | 0 | 0 | 0 |
CATM 4256 | Analysis 2B | 0 | 0 | 0 | 0 | 0 |
CATM 1209 | Theory 1A Midflex | 0 | 0 | 0 | 0 | 0 |
CATM 1216 | Ear Training 1B | 0 | 0 | 0 | 0 | 0 |
CATM 1219 | Ear Training/Dictation 1B | 0 | 0 | 0 | 0 | 0 |
CATM 1226 | Dictation 1B | 0 | 0 | 0 | 0 | 0 |
CATM 1267 | Theory Skills Lab 1 | 0 | 0 | 0 | 0 | 0 |
CATM 2101 | Ear Training II | 0 | 0 | 0 | 0 | 0 |
CATM 2103 | Theory II | 0 | 0 | 0 | 0 | 0 |
CATM 2106 | Orchestration I | 0 | 0 | 0 | 0 | 0 |
CATM 2135 | Piano Class 2A | 0 | 0 | 0 | 0 | 0 |
CATM 2205 | Theory 2A | 0 | 0 | 0 | 0 | 0 |
CATM 2207 | ToM Integrated Skills 2 | 0 | 0 | 0 | 0 | 0 |
CATM 5600 | Analysis 2 for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5126 | Dictation 1B Intensive for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5136 | Full Year Theory Review for Graduate Students 1B | 0 | 0 | 0 | 0 | 0 |
CATM 5200 | 1 Semester Theory Review for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5215 | Ear Training 1A for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5218 | Sight-Singing B | 0 | 0 | 0 | 0 | 0 |
CATM 5225 | Dictation 1A for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5305 | Techniques of the Modern Era 1A | 0 | 0 | 0 | 0 | 0 |
CATM 5400 | Advanced Schenkerian Analysis | 0 | 0 | 0 | 0 | 0 |
CATM 5525 | Analysis | 0 | 0 | 0 | 0 | 0 |
CATM 5529 | Graduate Analysis Midflex | 0 | 0 | 0 | 0 | 0 |
CATM 5556 | Score Reading 1B for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5118 | Sight-Singing For Graduate Singers | 0 | 0 | 0 | 0 | 0 |
CATM 5606 | Advanced Theory for Graduate Students 2 | 0 | 0 | 0 | 0 | 0 |
CATM 5655 | Score Reading 1A for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5900 | IS: Analysis II | 0 | 0 | 0 | 0 | 0 |
CATM 6120 | Music Since 1985 | 0 | 0 | 0 | 0 | 0 |
CATM 6400 | Expectation and Expression | 0 | 0 | 0 | 0 | 0 |
CATM 0002 | Undergraduate Ear Training Placement | 0 | 0 | 0 | 0 | 0 |
CATM 1005 | Ear Training I Intensive | 0 | 0 | 0 | 0 | 0 |
CATM 1007 | Theory I Intensive | 0 | 0 | 0 | 0 | 0 |
CATM 1016 | ET/Dictation Fundamentals 1B | 0 | 0 | 0 | 0 | 0 |
CATM 1025 | Theory Fundamentals 1A | 0 | 0 | 0 | 0 | 0 |
CATM 1030 | Fundamentals of Piano | 0 | 0 | 0 | 0 | 0 |
CATM 5026 | Remediation: Undergraduate Dictation 4A | 0 | 0 | 0 | 0 | 0 |
CATM 4305 | Score Reading 1A | 0 | 0 | 0 | 0 | 0 |
CATM 4900 | IS: Keyboard 2A | 0 | 0 | 0 | 0 | 0 |
CATM 5001 | Piano for Singers for Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5003 | Remediation: Undergraduate Theory 2B | 0 | 0 | 0 | 0 | 0 |
CATM 5007 | Remediation: Undergraduate Ear Training 1A | 0 | 0 | 0 | 0 | 0 |
CATM 5009 | Graduate Ear Training Placement | 0 | 0 | 0 | 0 | 0 |
CATM 5011 | Mannes GR Dictation Placement | 0 | 0 | 0 | 0 | 0 |
CATM 5014 | Remediation: Undergraduate Ear Training 3A | 0 | 0 | 0 | 0 | 0 |
CATM 5016 | Remediation: Undergraduate Ear Training 4A | 0 | 0 | 0 | 0 | 0 |
CATM 5022 | Remediation: Undergraduate Dictation 2A | 0 | 0 | 0 | 0 | 0 |
CATM 5024 | Dictation Review for GR Stdnt | 0 | 0 | 0 | 0 | 0 |
CATM 0001 | Undergraduate Music Theory Placement | 0 | 0 | 0 | 0 | 0 |
CATM 5040 | Keyboard Review for Graduate Students: A | 0 | 0 | 0 | 0 | 0 |
CATM 5042 | Remediation: Undergraduate Keyboard 2A | 0 | 0 | 0 | 0 | 0 |
CATM 5043 | Remediation: Undergraduate Keyboard 2B | 0 | 0 | 0 | 0 | 0 |
CATM 5045 | Remediation: Undergraduate Keyboard 3B | 0 | 0 | 0 | 0 | 0 |
CATM 5065 | Graduate Theory 4A: Tonal Composition | 0 | 0 | 0 | 0 | 0 |
CATM 5101 | Ear Training I For Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5104 | Analysis I For Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 5107 | Graduate Score Reading | 0 | 0 | 0 | 0 | 0 |
CATM 5109 | Theory Writing Projects | 0 | 0 | 0 | 0 | 0 |
CATM 5112 | Analysis II For Graduate Students | 0 | 0 | 0 | 0 | 0 |
CATM 3225
Dictation 3A
CATM 3102
Dictation III
CATM 3103
Theory III
CATM 3104
Analysis I
CATM 3105
Keyboard II
CATM 3106
Orchestration II
CATM 3135
Piano Class 3A
CATM 3136
Piano Class 3B
CATM 3157
Ear Training Skills Lab 3 + 4
CATM 3206
Theory 3B
CATM 3209
Theory 3A Midflex
CATM 3216
Ear Training 3B
CATM 3101
Ear Training III
CATM 3229
Dictation 3A Midflex
CATM 3246
Keyboard 2B
CATM 3255
Analysis 1A
CATM 3257
Analysis 1
CATM 3260
Form and Analysis for Undergraduate Students
CATM 3270
Techniques of Music Since 1900 for Undergraduate Students
CATM 4100
Theory 4A: Tonal Composition
CATM 4102
Dictation IV
CATM 4104
Analysis II
CATM 4106
Theory 4B: Tonal Composition
CATM 4109
Ear Training IV Sight-Reading For Singers
CATM 1299
Dictation 1A Midflex
CATM 1105
Theory 1A Intensive
CATM 1108
Piano Class I / Beginning
CATM 1116
Ear Training 1B Intensive
CATM 1126
Dictation 1B Intensive
CATM 1136
Piano Class 1B
CATM 1206
Theory 1B
CATM 1208
Piano Class I / Intermediate
CATM 1215
Ear Training 1A
CATM 1217
Ear Training 1A Midflex
CATM 1225
Dictation 1A
CATM 1257
Ear Training Skills Lab 1
CATM 4207
ToM Integrated Skills 4
CATM 2102
Dictation II
CATM 2105
Keyboard I
CATM 2108
Piano Class II
CATM 2136
Piano Class 2B
CATM 2206
Theory 2B
CATM 2215
Ear Training 2A
CATM 2219
Ear Training/Dictation 2B
CATM 2225
Dictation 2A
CATM 2245
Keyboard 1A
CATM 2257
Ear Training Skills Lab 2
CATM 3100
Composition For Non-Majors
CATM 5306
Techniques of the Modern Era 1B
CATM 5105
Full Year Theory Review/Pt. 2
CATM 5108
Techniques Of The Modern Era
CATM 5110
Piano Class For Graduate Students
CATM 5115
Piano For Singers
CATM 5125
Dictation 1A Intensive for Graduate Students
CATM 5135
Full Year Theory Review for Graduate Students 1A
CATM 5177
Techniques of the Modern Era & Advanced Analysis
CATM 5207
Graduate Techniques of Music Skills Review
CATM 5216
Grad Ear Training 1B
CATM 5219
GR Ear Training 1A Midflex
CATM 5226
Dictation 1B for Graduate Students
CATM 5102
Dictation I For Graduate Students
CATM 5502
Dictation V
CATM 5527
Form and Analysis
CATM 5530
Graduate Analysis: Accelerated Course
CATM 5577
Graduate Analysis
CATM 5605
Advanced Theory for Graduate Students 1
CATM 5625
Dictation 5A
CATM 5626
Dictation 5B
CATM 5700
Writing Projects
CATM 6110
Music of Stravinsky
CATM 6150
Improvisation in Contemporary Music
CATM 6401
Tone Poems
CATM 5010
Graduate Music Theory Placement
CATM 4211
20Th Century Post-Tonal Theory
CATM 4226
Dictation 4B
CATM 4236
Ear Training 4B
CATM 4245
Keyboard 3A
CATM 4255
Analysis 2A
CATM 4257
Analysis 2 (Schenkerian)
CATM 4306
Score Reading 1B
CATM 5000
Piano Class for Graduate Students
CATM 5002
Remediation: Undergraduate Theory 2A
CATM 5005
Remediation: Undergraduate Theory 3B
CATM 5008
Remediation: Undergraduate Ear Training 1B
CATM 1102
Dictation I
CATM 5012
Ear Training Review for GR Std
CATM 5013
Ear Training Review for Graduate Students: B
CATM 5015
Remediation: Undergraduate Ear Training 3B
CATM 5017
Remediation: Undergraduate Ear Training 4B
CATM 5023
Remediation: Undergraduate Dictation 2B
CATM 5025
Dictation Review for Graduate Students: B
CATM 5027
Remediation: Undergraduate Dictation 4B
CATM 5041
Keyboard Review for Graduate Students: B
CATM 5044
Remediation: Undergraduate Keyboard 3A
CATM 5050
Time Tools: Rhythm and Pulse
CATM 5066
Graduate Theory 4B: Tonal Composition
CATM 3267
Form & Analysis
CATM 2226
Dictation 2B
CATM 2246
Keyboard 1B
CATM 3205
Theory 3A
CATM 3207
ToM Integrated Skills 3
CATM 3215
Ear Training 3A
CATM 3219
Ear Training/Dictation 3B
CATM 3226
Dictation 3B
CATM 3245
Keyboard 2A
CATM 3247
Keyboard 2 (A+B)
CATM 3256
Analysis 1B
CATM 3259
Analysis 1A Midflex
CATM 2216
Ear Training 2B
CATM 3299
Ear Training 3A Midflex
CATM 4101
Ear Training IV
CATM 4103
Theory IV
CATM 4105
Keyboard III
CATM 4107
Score Reading
CATM 4206
Theory 4B
CATM 4210
20Th Century Tonal Theory
CATM 4225
Dictation 4A
CATM 4235
Ear Training 4A
CATM 4239
Adv. Ear Training/Dictation
CATM 4246
Keyboard 3B
CATM 1207
ToM Integrated Skills 1
CATM 0003
Undergraduate Dictation Placement
CATM 1006
Dictation I Intensive
CATM 1015
ET/Dictation Fundamentals 1A
CATM 1026
Theory Fundamentals 1B
CATM 1101
Ear Training I
CATM 1103
Theory I
CATM 1106
Theory 1B Intensive
CATM 1115
Ear Training 1A Intensive
CATM 1125
Dictation 1A Intensive
CATM 1135
Piano Class 1A
CATM 1205
Theory 1A
CATM 4256
Analysis 2B
CATM 1209
Theory 1A Midflex
CATM 1216
Ear Training 1B
CATM 1219
Ear Training/Dictation 1B
CATM 1226
Dictation 1B
CATM 1267
Theory Skills Lab 1
CATM 2101
Ear Training II
CATM 2103
Theory II
CATM 2106
Orchestration I
CATM 2135
Piano Class 2A
CATM 2205
Theory 2A
CATM 2207
ToM Integrated Skills 2
CATM 5600
Analysis 2 for Graduate Students
CATM 5126
Dictation 1B Intensive for Graduate Students
CATM 5136
Full Year Theory Review for Graduate Students 1B
CATM 5200
1 Semester Theory Review for Graduate Students
CATM 5215
Ear Training 1A for Graduate Students
CATM 5218
Sight-Singing B
CATM 5225
Dictation 1A for Graduate Students
CATM 5305
Techniques of the Modern Era 1A
CATM 5400
Advanced Schenkerian Analysis
CATM 5525
Analysis
CATM 5529
Graduate Analysis Midflex
CATM 5556
Score Reading 1B for Graduate Students
CATM 5118
Sight-Singing For Graduate Singers
CATM 5606
Advanced Theory for Graduate Students 2
CATM 5655
Score Reading 1A for Graduate Students
CATM 5900
IS: Analysis II
CATM 6120
Music Since 1985
CATM 6400
Expectation and Expression
CATM 0002
Undergraduate Ear Training Placement
CATM 1005
Ear Training I Intensive
CATM 1007
Theory I Intensive
CATM 1016
ET/Dictation Fundamentals 1B
CATM 1025
Theory Fundamentals 1A
CATM 1030
Fundamentals of Piano
CATM 5026
Remediation: Undergraduate Dictation 4A
CATM 4305
Score Reading 1A
CATM 4900
IS: Keyboard 2A
CATM 5001
Piano for Singers for Graduate Students
CATM 5003
Remediation: Undergraduate Theory 2B
CATM 5007
Remediation: Undergraduate Ear Training 1A
CATM 5009
Graduate Ear Training Placement
CATM 5011
Mannes GR Dictation Placement
CATM 5014
Remediation: Undergraduate Ear Training 3A
CATM 5016
Remediation: Undergraduate Ear Training 4A
CATM 5022
Remediation: Undergraduate Dictation 2A
CATM 5024
Dictation Review for GR Stdnt
CATM 0001
Undergraduate Music Theory Placement
CATM 5040
Keyboard Review for Graduate Students: A
CATM 5042
Remediation: Undergraduate Keyboard 2A
CATM 5043
Remediation: Undergraduate Keyboard 2B
CATM 5045
Remediation: Undergraduate Keyboard 3B
CATM 5065
Graduate Theory 4A: Tonal Composition
CATM 5101
Ear Training I For Graduate Students
CATM 5104
Analysis I For Graduate Students
CATM 5107
Graduate Score Reading
CATM 5109
Theory Writing Projects
CATM 5112
Analysis II For Graduate Students