SCAD Course Reviews
Savannah College of Art and Design
Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
---|---|---|---|---|---|---|
ANIM 419 | Technical Animation: Cloth and Hair for Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 252 | Principles of 3-D Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 223 | Historical Adventures in Cinematic Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 790 | Animation M.F.A. Thesis Completion | 0 | 0 | 0 | 0 | 0 |
ANIM 760 | Stop Motion Animation I: Fabrication | 0 | 0 | 0 | 0 | 0 |
ANIM 749 | Animation Portfolio | 0 | 0 | 0 | 0 | 0 |
ANIM 725 | Environment Look Development | 0 | 0 | 0 | 0 | 0 |
ANIM 715 | Character Look Development | 0 | 0 | 0 | 0 | 0 |
ANIM 705 | Animation Aesthetics and Practice | 0 | 0 | 0 | 0 | 0 |
ANIM 505 | Animation Character Set-up | 0 | 0 | 0 | 0 | 0 |
ANIM 459 | The Short Short | 0 | 0 | 0 | 0 | 0 |
ANIM 272 | 2D Animation: Character Set-up and Pipeline Creation | 0 | 0 | 0 | 0 | 0 |
ANIM 392 | 2-D Character Animation III | 0 | 0 | 0 | 0 | 0 |
ANIM 382 | 2D Animation: Digital Production and Compositing | 0 | 0 | 0 | 0 | 0 |
ANIM 369 | Technical Animation: Animation Look Development | 0 | 0 | 0 | 0 | 0 |
ANIM 356 | Advanced Character Setup | 0 | 0 | 0 | 0 | 0 |
ANIM 349 | Technical Animation: Digital Modeling for Environments and P... | 0 | 0 | 0 | 0 | 0 |
ANIM 190 | Survey of Animation: Professional Pathways | 0 | 0 | 0 | 0 | 0 |
ANIM 762 | Directed Projects in Animation I: Creative Problem-solving | 0 | 0 | 0 | 0 | 0 |
ANIM 756 | Animation Character Performance | 0 | 0 | 0 | 0 | 0 |
ANIM 737 | Collaborative Project | 0 | 0 | 0 | 0 | 0 |
ANIM 379 | Technical Animation: Lighting for Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 775 | Animation M.F.A. Thesis Visual Component Production | 0 | 0 | 0 | 0 | 0 |
ANIM 759 | Short Short Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 748 | Animation M.A. Final Project | 0 | 0 | 0 | 0 | 0 |
ANIM 724 | 3D Naturalistic Character Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 713 | Drawing in Motion | 0 | 0 | 0 | 0 | 0 |
ANIM 585 | Animation M.F.A. Candidacy Review | 0 | 0 | 0 | 0 | 0 |
ANIM 501 | Animation Context and History | 0 | 0 | 0 | 0 | 0 |
ANIM 434 | Location Research for Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 408 | Animated Capstone Film: Preproduction | 0 | 0 | 0 | 0 | 0 |
ANIM 390 | Animation Business and Professional Practices | 0 | 0 | 0 | 0 | 0 |
ANIM 721 | Storyboarding and Previsualization | 0 | 0 | 0 | 0 | 0 |
ANIM 363 | 3-D Character Animation II | 0 | 0 | 0 | 0 | 0 |
ANIM 352 | 2D Animation Effects: Mastering the Elements | 0 | 0 | 0 | 0 | 0 |
ANIM 335 | Story and Concept: Animation Character and Creature Design | 0 | 0 | 0 | 0 | 0 |
ANIM 330 | Animation Layout and Character Design | 0 | 0 | 0 | 0 | 0 |
ANIM 322 | Acting for Animators | 0 | 0 | 0 | 0 | 0 |
ANIM 313 | Collaborative Experiences: 3D Production Pipeline | 0 | 0 | 0 | 0 | 0 |
ANIM 307 | Stop Motion I | 0 | 0 | 0 | 0 | 0 |
ANIM 304 | Digital Cel Animation I | 0 | 0 | 0 | 0 | 0 |
ANIM 289 | Technical Animation: Fundamentals of Character Rigging | 0 | 0 | 0 | 0 | 0 |
ANIM 346 | Non-human Character Setup | 0 | 0 | 0 | 0 | 0 |
ANIM 714 | 3D Cartoon Character Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 704 | 2D Animation Essentials: Concept to Production | 0 | 0 | 0 | 0 | 0 |
ANIM 504 | Character Animation Basics | 0 | 0 | 0 | 0 | 0 |
ANIM 448 | Animated Capstone Film: Production | 0 | 0 | 0 | 0 | 0 |
ANIM 411 | Technical Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 393 | 3-D Character Animation III | 0 | 0 | 0 | 0 | 0 |
ANIM 383 | 3D Character Animation: Performance Through Dialogue | 0 | 0 | 0 | 0 | 0 |
ANIM 365 | Story and Concept: Seeding the Narrative | 0 | 0 | 0 | 0 | 0 |
ANIM 359 | Technical Animation: Organic Surface Modeling | 0 | 0 | 0 | 0 | 0 |
ANIM 353 | 3D Character Animation: Creatures and Quadrupeds | 0 | 0 | 0 | 0 | 0 |
ANIM 732 | Character Animation: Acting and Performance Essentials | 0 | 0 | 0 | 0 | 0 |
ANIM 333 | 3-D Character Animation I | 0 | 0 | 0 | 0 | 0 |
ANIM 325 | Story and Concept: Visual Design and World Building | 0 | 0 | 0 | 0 | 0 |
ANIM 318 | Stop Motion II | 0 | 0 | 0 | 0 | 0 |
ANIM 312 | 2-D Animation Production | 0 | 0 | 0 | 0 | 0 |
ANIM 306 | Scripting for Animators | 0 | 0 | 0 | 0 | 0 |
ANIM 302 | Action Analysis II | 0 | 0 | 0 | 0 | 0 |
ANIM 275 | Core Principles of Animated Storytelling and Concept Develop... | 0 | 0 | 0 | 0 | 0 |
ANIM 253 | Core Principles of 3D Character Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 249 | Core Principles of Technical Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 332 | 2D Animation: Character Performance Essentials | 0 | 0 | 0 | 0 | 0 |
ANIM 709 | Computer-generated Modeling and Design | 0 | 0 | 0 | 0 | 0 |
ANIM 565 | Animation M.A. Candidacy Review | 0 | 0 | 0 | 0 | 0 |
ANIM 488 | Animated Capstone Film: Postproduction | 0 | 0 | 0 | 0 | 0 |
ANIM 423 | 3D Character Animation: Believability and Nuance | 0 | 0 | 0 | 0 | 0 |
ANIM 395 | Collaborative Experiences in Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 385 | Story and Concept: Concept Development for Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 372 | Collaborative Experiences: 2D Production Pipeline | 0 | 0 | 0 | 0 | 0 |
ANIM 362 | 2-D Character Animation II | 0 | 0 | 0 | 0 | 0 |
ANIM 351 | Advanced Digital Modeling | 0 | 0 | 0 | 0 | 0 |
ANIM 345 | Story and Concept: Storyboarding and Staging | 0 | 0 | 0 | 0 | 0 |
ANIM 180 | Action Analysis I | 0 | 0 | 0 | 0 | 0 |
ANIM 323 | 3D Character Animation: Expressive Character Acting | 0 | 0 | 0 | 0 | 0 |
ANIM 315 | Story and Concept: Narrative Principles for Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 303 | 3D Character Animation: Performance Essentials | 0 | 0 | 0 | 0 | 0 |
ANIM 280 | 3-D Character Setup and Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 270 | Principles of Screen Design | 0 | 0 | 0 | 0 | 0 |
ANIM 250 | Digital Form, Space and Lighting | 0 | 0 | 0 | 0 | 0 |
ANIM 202 | Core Principles of 2D Animation | 0 | 0 | 0 | 0 | 0 |
ANIM 772 | Directed Projects in Animation II: Idea Resolution | 0 | 0 | 0 | 0 | 0 |
ANIM 753 | Animation M.F.A. Thesis Exploration and Research | 0 | 0 | 0 | 0 | 0 |
ANIM 419
Technical Animation: Cloth and Hair for Animation
ANIM 252
Principles of 3-D Animation
ANIM 223
Historical Adventures in Cinematic Animation
ANIM 790
Animation M.F.A. Thesis Completion
ANIM 760
Stop Motion Animation I: Fabrication
ANIM 749
Animation Portfolio
ANIM 725
Environment Look Development
ANIM 715
Character Look Development
ANIM 705
Animation Aesthetics and Practice
ANIM 505
Animation Character Set-up
ANIM 459
The Short Short
ANIM 272
2D Animation: Character Set-up and Pipeline Creation
ANIM 392
2-D Character Animation III
ANIM 382
2D Animation: Digital Production and Compositing
ANIM 369
Technical Animation: Animation Look Development
ANIM 356
Advanced Character Setup
ANIM 349
Technical Animation: Digital Modeling for Environments and P...
ANIM 190
Survey of Animation: Professional Pathways
ANIM 762
Directed Projects in Animation I: Creative Problem-solving
ANIM 756
Animation Character Performance
ANIM 737
Collaborative Project
ANIM 379
Technical Animation: Lighting for Animation
ANIM 775
Animation M.F.A. Thesis Visual Component Production
ANIM 759
Short Short Animation
ANIM 748
Animation M.A. Final Project
ANIM 724
3D Naturalistic Character Animation
ANIM 713
Drawing in Motion
ANIM 585
Animation M.F.A. Candidacy Review
ANIM 501
Animation Context and History
ANIM 434
Location Research for Animation
ANIM 408
Animated Capstone Film: Preproduction
ANIM 390
Animation Business and Professional Practices
ANIM 721
Storyboarding and Previsualization
ANIM 363
3-D Character Animation II
ANIM 352
2D Animation Effects: Mastering the Elements
ANIM 335
Story and Concept: Animation Character and Creature Design
ANIM 330
Animation Layout and Character Design
ANIM 322
Acting for Animators
ANIM 313
Collaborative Experiences: 3D Production Pipeline
ANIM 307
Stop Motion I
ANIM 304
Digital Cel Animation I
ANIM 289
Technical Animation: Fundamentals of Character Rigging
ANIM 346
Non-human Character Setup
ANIM 714
3D Cartoon Character Animation
ANIM 704
2D Animation Essentials: Concept to Production
ANIM 504
Character Animation Basics
ANIM 448
Animated Capstone Film: Production
ANIM 411
Technical Animation
ANIM 393
3-D Character Animation III
ANIM 383
3D Character Animation: Performance Through Dialogue
ANIM 365
Story and Concept: Seeding the Narrative
ANIM 359
Technical Animation: Organic Surface Modeling
ANIM 353
3D Character Animation: Creatures and Quadrupeds
ANIM 732
Character Animation: Acting and Performance Essentials
ANIM 333
3-D Character Animation I
ANIM 325
Story and Concept: Visual Design and World Building
ANIM 318
Stop Motion II
ANIM 312
2-D Animation Production
ANIM 306
Scripting for Animators
ANIM 302
Action Analysis II
ANIM 275
Core Principles of Animated Storytelling and Concept Develop...
ANIM 253
Core Principles of 3D Character Animation
ANIM 249
Core Principles of Technical Animation
ANIM 332
2D Animation: Character Performance Essentials
ANIM 709
Computer-generated Modeling and Design
ANIM 565
Animation M.A. Candidacy Review
ANIM 488
Animated Capstone Film: Postproduction
ANIM 423
3D Character Animation: Believability and Nuance
ANIM 395
Collaborative Experiences in Animation
ANIM 385
Story and Concept: Concept Development for Animation
ANIM 372
Collaborative Experiences: 2D Production Pipeline
ANIM 362
2-D Character Animation II
ANIM 351
Advanced Digital Modeling
ANIM 345
Story and Concept: Storyboarding and Staging
ANIM 180
Action Analysis I
ANIM 323
3D Character Animation: Expressive Character Acting
ANIM 315
Story and Concept: Narrative Principles for Animation
ANIM 303
3D Character Animation: Performance Essentials
ANIM 280
3-D Character Setup and Animation
ANIM 270
Principles of Screen Design
ANIM 250
Digital Form, Space and Lighting
ANIM 202
Core Principles of 2D Animation
ANIM 772
Directed Projects in Animation II: Idea Resolution
ANIM 753
Animation M.F.A. Thesis Exploration and Research