UChicago Course Reviews
University of Chicago
| Code | Name | Overall | Easiness | Interest | Usefulness | Reviewssorted descending |
|---|---|---|---|---|---|---|
| TAPS 23980 | Writing the Short, Short Play: Investigations in Micro-Drama | 0 | 0 | 0 | 0 | 0 |
| TAPS 22300 | Performance Art Installation: The Dreamer and the Dream | 0 | 0 | 0 | 0 | 0 |
| TAPS 22460 | The Black Stage: History and Practice | 0 | 0 | 0 | 0 | 0 |
| TAPS 22680 | Queering the American Family Drama | 0 | 0 | 0 | 0 | 0 |
| TAPS 23000 | Introduction to Directing | 0 | 0 | 0 | 0 | 0 |
| TAPS 23110 | Directing Study | 0 | 0 | 0 | 0 | 0 |
| TAPS 23509 | Eurovision Song Contest | 0 | 0 | 0 | 0 | 0 |
| TAPS 23800 | Playwriting: Writing Utilizing Improvisation | 0 | 0 | 0 | 0 | 0 |
| TAPS 23910 | Advanced Playwriting Workshop | 0 | 0 | 0 | 0 | 0 |
| TAPS 21730 | Movement for Actors | 0 | 0 | 0 | 0 | 0 |
| TAPS 24420 | Games and Performance: Live Action Role Playing Games | 0 | 0 | 0 | 0 | 0 |
| TAPS 24500 | Chicago Theater: Budgets and Buildings | 0 | 0 | 0 | 0 | 0 |
| TAPS 24903 | Performance Lab: Devising Dance Theater | 0 | 0 | 0 | 0 | 0 |
| TAPS 25200 | Neo-Futurists Performance Workshop | 0 | 0 | 0 | 0 | 0 |
| TAPS 25505 | Adaptation for the Screen | 0 | 0 | 0 | 0 | 0 |
| TAPS 25800 | POC (Playwrights of Color) | 0 | 0 | 0 | 0 | 0 |
| TAPS 26410 | The Drama of Doing Business: Plays About Economics in the 20... | 0 | 0 | 0 | 0 | 0 |
| TAPS 20120 | 21st Century American Drama | 0 | 0 | 0 | 0 | 0 |
| TAPS 50300 | Catharsis, Tedium, and other Aesthetic Responses | 0 | 0 | 0 | 0 | 0 |
| TAPS 10100 | Drama: Embodiment and Transformation | 0 | 0 | 0 | 0 | 0 |
| TAPS 10300 | Text and Performance | 0 | 0 | 0 | 0 | 0 |
| TAPS 10600 | Staging Desire | 0 | 0 | 0 | 0 | 0 |
| TAPS 10800 | Contemporary Dance Practices | 0 | 0 | 0 | 0 | 0 |
| TAPS 15500 | Beginning Screenwriting | 0 | 0 | 0 | 0 | 0 |
| TAPS 16606 | Genre Fundamentals: Drama | 0 | 0 | 0 | 0 | 0 |
| TAPS 20040 | Black Shakespeare | 0 | 0 | 0 | 0 | 0 |
| TAPS 27080 | Spectacle in Miniature | 0 | 0 | 0 | 0 | 0 |
| TAPS 20208 | Sound and Scandal: How Media Make Believe | 0 | 0 | 0 | 0 | 0 |
| TAPS 20220 | The Promise of Nightlife: Queer Desires & the Marketing of t... | 0 | 0 | 0 | 0 | 0 |
| TAPS 20507 | Mindfulness: Experience and Media | 0 | 0 | 0 | 0 | 0 |
| TAPS 20700 | Dramaturgy and Dramatic Criticism | 0 | 0 | 0 | 0 | 0 |
| TAPS 20751 | The Making of Augie March at Court Theatre | 0 | 0 | 0 | 0 | 0 |
| TAPS 21500 | Advanced Acting | 0 | 0 | 0 | 0 | 0 |
| TAPS 21667 | Poetics of Space in Travel: Performance and Place in Japan a... | 0 | 0 | 0 | 0 | 0 |
| TAPS 38320 | The Mind as Stage: Podcasting | 0 | 0 | 0 | 0 | 0 |
| TAPS 34410 | Transmedia Puzzle Design & Performance | 0 | 0 | 0 | 0 | 0 |
| TAPS 34420 | Games and Performance: Live Action Role Playing Games | 0 | 0 | 0 | 0 | 0 |
| TAPS 34770 | Digital Media Aesthetics: Interaction, Connection, and Impro... | 0 | 0 | 0 | 0 | 0 |
| TAPS 34903 | Performance Lab: Devising Dance Theater | 0 | 0 | 0 | 0 | 0 |
| TAPS 35515 | Contemporary Political Strategies in Performance | 0 | 0 | 0 | 0 | 0 |
| TAPS 36100 | Dance Composition | 0 | 0 | 0 | 0 | 0 |
| TAPS 36150 | Dance Lab | 0 | 0 | 0 | 0 | 0 |
| TAPS 36280 | Site-Based Practice: Choreographing The Smart Museum | 0 | 0 | 0 | 0 | 0 |
| TAPS 33930 | Fundamentals of Playwriting | 0 | 0 | 0 | 0 | 0 |
| TAPS 38360 | Screendance: Movement and New Media | 0 | 0 | 0 | 0 | 0 |
| TAPS 41450 | Peach Blossom Fan: Theater, History, and Politics | 0 | 0 | 0 | 0 | 0 |
| TAPS 41500 | Bodies of Transformation | 0 | 0 | 0 | 0 | 0 |
| TAPS 42020 | The Cabaretesque in Music | 0 | 0 | 0 | 0 | 0 |
| TAPS 44021 | Music Spectralities | 0 | 0 | 0 | 0 | 0 |
| TAPS 46530 | Staging the Internet | 0 | 0 | 0 | 0 | 0 |
| TAPS 49900 | Reading and Research | 0 | 0 | 0 | 0 | 0 |
| TAPS 49700 | Performance Practice as Research | 0 | 0 | 0 | 0 | 0 |
| TAPS 32360 | Advanced Musical Theater Writing | 0 | 0 | 0 | 0 | 0 |
| TAPS 32300 | Performance Art Installation: The Dreamer and the Dream | 0 | 0 | 0 | 0 | 0 |
| TAPS 31510 | Back Room Shakespeare: Practical Tactics For Acting in a Mad... | 0 | 0 | 0 | 0 | 0 |
| TAPS 30710 | Dramaturgy and Dramatic Criticism | 0 | 0 | 0 | 0 | 0 |
| TAPS 30040 | Black Shakespeare | 0 | 0 | 0 | 0 | 0 |
| TAPS 29800 | Theater and Performance Studies BA Colloquium | 0 | 0 | 0 | 0 | 0 |
| TAPS 28470 | Molière | 0 | 0 | 0 | 0 | 0 |
| TAPS 28438 | Before and After Beckett: Theater and Theory | 0 | 0 | 0 | 0 | 0 |
| TAPS 28431 | Theater About Theater | 0 | 0 | 0 | 0 | 0 |
| TAPS 28414 | Writing for Performance | 0 | 0 | 0 | 0 | 0 |
| TAPS 28406 | Shakespeare II: Tragedies and Romances | 0 | 0 | 0 | 0 | 0 |
| TAPS 28360 | Screendance: Movement and New Media | 0 | 0 | 0 | 0 | 0 |
| TAPS 28320 | The Mind as Stage: Podcasting | 0 | 0 | 0 | 0 | 0 |
| TAPS 28000 | Scenic Design | 0 | 0 | 0 | 0 | 0 |
| TAPS 27550 | Costume Design and Technology for the Stage | 0 | 0 | 0 | 0 | 0 |
| TAPS 25219 | From Lorca to Lin-Manuel Miranda: Staging Latinidad | 0 | 0 | 0 | 0 | 0 |
| TAPS 23101 | Advanced Directing: Styles & Genres | 0 | 0 | 0 | 0 | 0 |
| TAPS 23150 | Theater-Making Lab | 0 | 0 | 0 | 0 | 0 |
| TAPS 23600 | Improv and Sketch | 0 | 0 | 0 | 0 | 0 |
| TAPS 23905 | New Play Development Workshop | 0 | 0 | 0 | 0 | 0 |
| TAPS 23930 | Fundamentals of Playwriting | 0 | 0 | 0 | 0 | 0 |
| TAPS 24410 | Transmedia Puzzle Design & Performance | 0 | 0 | 0 | 0 | 0 |
| TAPS 24550 | Evolution of Improvisation in Chicago | 0 | 0 | 0 | 0 | 0 |
| TAPS 24906 | Performance Lab: The Classic as Contemporary | 0 | 0 | 0 | 0 | 0 |
| TAPS 22900 | Introduction to Theater & Performance Studies | 0 | 0 | 0 | 0 | 0 |
| TAPS 25515 | Contemporary Political Strategies in Performance | 0 | 0 | 0 | 0 | 0 |
| TAPS 25850 | Race, Performance, Performativity | 0 | 0 | 0 | 0 | 0 |
| TAPS 25910 | Short Form Digital Storytelling: Creating a Web Series | 0 | 0 | 0 | 0 | 0 |
| TAPS 26100 | Dance Composition | 0 | 0 | 0 | 0 | 0 |
| TAPS 26110 | Choreographic Methods | 0 | 0 | 0 | 0 | 0 |
| TAPS 26150 | Dance Lab | 0 | 0 | 0 | 0 | 0 |
| TAPS 26260 | Katherine Dunham: Politics in Motion | 0 | 0 | 0 | 0 | 0 |
| TAPS 20620 | Pivot to Digital: Adapting Performance Practices To Online S... | 0 | 0 | 0 | 0 | 0 |
| TAPS 10500 | Staging Terror | 0 | 0 | 0 | 0 | 0 |
| TAPS 10700 | Introduction to Stage Design | 0 | 0 | 0 | 0 | 0 |
| TAPS 10900 | Moving and Thinking / Thinking and Moving | 0 | 0 | 0 | 0 | 0 |
| TAPS 16004 | Protest Puppetry: Materializing American Publicness | 0 | 0 | 0 | 0 | 0 |
| TAPS 17019 | Ancient Drama, Modern Theory | 0 | 0 | 0 | 0 | 0 |
| TAPS 20110 | 20th Century American Drama | 0 | 0 | 0 | 0 | 0 |
| TAPS 20210 | Making a Scene: Gender, Sexuality & Performance in Modern In... | 0 | 0 | 0 | 0 | 0 |
| TAPS 20360 | Shrews! Unladylike Conduct on Stage and Page in Early Modern... | 0 | 0 | 0 | 0 | 0 |
| TAPS 26270 | Histories of Chinese Dance | 0 | 0 | 0 | 0 | 0 |
| TAPS 20720 | Dramaturgy for New Work | 0 | 0 | 0 | 0 | 0 |
| TAPS 21420 | Acting Technique: Script as Score | 0 | 0 | 0 | 0 | 0 |
| TAPS 21510 | Back Room Shakespeare: Practical Tactics For Acting in a Mad... | 0 | 0 | 0 | 0 | 0 |
| TAPS 21700 | An Actor Observes | 0 | 0 | 0 | 0 | 0 |
| TAPS 21860 | Songwriting for Musical Theater | 0 | 0 | 0 | 0 | 0 |
| TAPS 22360 | Advanced Musical Theater Writing | 0 | 0 | 0 | 0 | 0 |
| TAPS 22500 | Styles and Practice in Storytelling | 0 | 0 | 0 | 0 | 0 |
| TAPS 36110 | Choreographic Methods | 0 | 0 | 0 | 0 | 0 |
| TAPS 31730 | Movement for Actors | 0 | 0 | 0 | 0 | 0 |
| TAPS 32312 | Virtual Theaters | 0 | 0 | 0 | 0 | 0 |
| TAPS 33910 | Advanced Playwriting Workshop | 0 | 0 | 0 | 0 | 0 |
| TAPS 33980 | Writing the Short, Short Play: Investigations in Micro-Drama | 0 | 0 | 0 | 0 | 0 |
| TAPS 34550 | Evolution of Improvisation in Chicago | 0 | 0 | 0 | 0 | 0 |
| TAPS 34880 | New Directions in Afro-Latin Performance | 0 | 0 | 0 | 0 | 0 |
| TAPS 34906 | Performance Lab: The Classic as Contemporary | 0 | 0 | 0 | 0 | 0 |
| TAPS 35950 | Beckett and Media | 0 | 0 | 0 | 0 | 0 |
| TAPS 31500 | Advanced Acting | 0 | 0 | 0 | 0 | 0 |
| TAPS 36260 | Katherine Dunham: Politics in Motion | 0 | 0 | 0 | 0 | 0 |
| TAPS 36290 | Mapping Black Social Dance: Hip Hop and House in the Communi... | 0 | 0 | 0 | 0 | 0 |
| TAPS 38330 | Oral History & Podcasting | 0 | 0 | 0 | 0 | 0 |
| TAPS 38421 | Theater for Social Change | 0 | 0 | 0 | 0 | 0 |
| TAPS 41455 | Music and Sound in Chinese Literature | 0 | 0 | 0 | 0 | 0 |
| TAPS 42021 | Music, Colonialism, and Nationalism | 0 | 0 | 0 | 0 | 0 |
| TAPS 46202 | Performance Theory: Action, Affect, Archive | 0 | 0 | 0 | 0 | 0 |
| TAPS 10200 | Acting Fundamentals | 0 | 0 | 0 | 0 | 0 |
| TAPS 30700 | Shakespearean Dramaturgies: Text/Medium/Performance and the... | 0 | 0 | 0 | 0 | 0 |
| TAPS 29900 | Reading and Research | 0 | 0 | 0 | 0 | 0 |
| TAPS 28480 | The Worlds of Harlequin: Commedia Dell'arte | 0 | 0 | 0 | 0 | 0 |
| TAPS 28467 | Making and Meaning in the American Musical | 0 | 0 | 0 | 0 | 0 |
| TAPS 28435 | Brecht and Beyond | 0 | 0 | 0 | 0 | 0 |
| TAPS 28421 | Theater for Social Change | 0 | 0 | 0 | 0 | 0 |
| TAPS 28405 | Shakespeare I: Histories and Comedies | 0 | 0 | 0 | 0 | 0 |
| TAPS 28330 | Oral History & Podcasting | 0 | 0 | 0 | 0 | 0 |
| TAPS 28100 | Lighting Design for the Stage | 0 | 0 | 0 | 0 | 0 |
| TAPS 27570 | Scenic & Costume Design for the Stage | 0 | 0 | 0 | 0 | 0 |
| TAPS 27100 | Scene Painting | 0 | 0 | 0 | 0 | 0 |
| TAPS 26530 | Staging the Internet | 0 | 0 | 0 | 0 | 0 |
| TAPS 26516 | Opera Across Media | 0 | 0 | 0 | 0 | 0 |
| TAPS 26290 | Mapping Black Social Dance: Hip Hop and House in the Communi... | 0 | 0 | 0 | 0 | 0 |
| TAPS 26280 | Site-Based Practice: Choreographing The Smart Museum | 0 | 0 | 0 | 0 | 0 |
TAPS 23980
Writing the Short, Short Play: Investigations in Micro-Drama
TAPS 22300
Performance Art Installation: The Dreamer and the Dream
TAPS 22460
The Black Stage: History and Practice
TAPS 22680
Queering the American Family Drama
TAPS 23000
Introduction to Directing
TAPS 23110
Directing Study
TAPS 23509
Eurovision Song Contest
TAPS 23800
Playwriting: Writing Utilizing Improvisation
TAPS 23910
Advanced Playwriting Workshop
TAPS 21730
Movement for Actors
TAPS 24420
Games and Performance: Live Action Role Playing Games
TAPS 24500
Chicago Theater: Budgets and Buildings
TAPS 24903
Performance Lab: Devising Dance Theater
TAPS 25200
Neo-Futurists Performance Workshop
TAPS 25505
Adaptation for the Screen
TAPS 25800
POC (Playwrights of Color)
TAPS 26410
The Drama of Doing Business: Plays About Economics in the 20...
TAPS 20120
21st Century American Drama
TAPS 50300
Catharsis, Tedium, and other Aesthetic Responses
TAPS 10100
Drama: Embodiment and Transformation
TAPS 10300
Text and Performance
TAPS 10600
Staging Desire
TAPS 10800
Contemporary Dance Practices
TAPS 15500
Beginning Screenwriting
TAPS 16606
Genre Fundamentals: Drama
TAPS 20040
Black Shakespeare
TAPS 27080
Spectacle in Miniature
TAPS 20208
Sound and Scandal: How Media Make Believe
TAPS 20220
The Promise of Nightlife: Queer Desires & the Marketing of t...
TAPS 20507
Mindfulness: Experience and Media
TAPS 20700
Dramaturgy and Dramatic Criticism
TAPS 20751
The Making of Augie March at Court Theatre
TAPS 21500
Advanced Acting
TAPS 21667
Poetics of Space in Travel: Performance and Place in Japan a...
TAPS 38320
The Mind as Stage: Podcasting
TAPS 34410
Transmedia Puzzle Design & Performance
TAPS 34420
Games and Performance: Live Action Role Playing Games
TAPS 34770
Digital Media Aesthetics: Interaction, Connection, and Impro...
TAPS 34903
Performance Lab: Devising Dance Theater
TAPS 35515
Contemporary Political Strategies in Performance
TAPS 36100
Dance Composition
TAPS 36150
Dance Lab
TAPS 36280
Site-Based Practice: Choreographing The Smart Museum
TAPS 33930
Fundamentals of Playwriting
TAPS 38360
Screendance: Movement and New Media
TAPS 41450
Peach Blossom Fan: Theater, History, and Politics
TAPS 41500
Bodies of Transformation
TAPS 42020
The Cabaretesque in Music
TAPS 44021
Music Spectralities
TAPS 46530
Staging the Internet
TAPS 49900
Reading and Research
TAPS 49700
Performance Practice as Research
TAPS 32360
Advanced Musical Theater Writing
TAPS 32300
Performance Art Installation: The Dreamer and the Dream
TAPS 31510
Back Room Shakespeare: Practical Tactics For Acting in a Mad...
TAPS 30710
Dramaturgy and Dramatic Criticism
TAPS 30040
Black Shakespeare
TAPS 29800
Theater and Performance Studies BA Colloquium
TAPS 28470
Molière
TAPS 28438
Before and After Beckett: Theater and Theory
TAPS 28431
Theater About Theater
TAPS 28414
Writing for Performance
TAPS 28406
Shakespeare II: Tragedies and Romances
TAPS 28360
Screendance: Movement and New Media
TAPS 28320
The Mind as Stage: Podcasting
TAPS 28000
Scenic Design
TAPS 27550
Costume Design and Technology for the Stage
TAPS 25219
From Lorca to Lin-Manuel Miranda: Staging Latinidad
TAPS 23101
Advanced Directing: Styles & Genres
TAPS 23150
Theater-Making Lab
TAPS 23600
Improv and Sketch
TAPS 23905
New Play Development Workshop
TAPS 23930
Fundamentals of Playwriting
TAPS 24410
Transmedia Puzzle Design & Performance
TAPS 24550
Evolution of Improvisation in Chicago
TAPS 24906
Performance Lab: The Classic as Contemporary
TAPS 22900
Introduction to Theater & Performance Studies
TAPS 25515
Contemporary Political Strategies in Performance
TAPS 25850
Race, Performance, Performativity
TAPS 25910
Short Form Digital Storytelling: Creating a Web Series
TAPS 26100
Dance Composition
TAPS 26110
Choreographic Methods
TAPS 26150
Dance Lab
TAPS 26260
Katherine Dunham: Politics in Motion
TAPS 20620
Pivot to Digital: Adapting Performance Practices To Online S...
TAPS 10500
Staging Terror
TAPS 10700
Introduction to Stage Design
TAPS 10900
Moving and Thinking / Thinking and Moving
TAPS 16004
Protest Puppetry: Materializing American Publicness
TAPS 17019
Ancient Drama, Modern Theory
TAPS 20110
20th Century American Drama
TAPS 20210
Making a Scene: Gender, Sexuality & Performance in Modern In...
TAPS 20360
Shrews! Unladylike Conduct on Stage and Page in Early Modern...
TAPS 26270
Histories of Chinese Dance
TAPS 20720
Dramaturgy for New Work
TAPS 21420
Acting Technique: Script as Score
TAPS 21510
Back Room Shakespeare: Practical Tactics For Acting in a Mad...
TAPS 21700
An Actor Observes
TAPS 21860
Songwriting for Musical Theater
TAPS 22360
Advanced Musical Theater Writing
TAPS 22500
Styles and Practice in Storytelling
TAPS 36110
Choreographic Methods
TAPS 31730
Movement for Actors
TAPS 32312
Virtual Theaters
TAPS 33910
Advanced Playwriting Workshop
TAPS 33980
Writing the Short, Short Play: Investigations in Micro-Drama
TAPS 34550
Evolution of Improvisation in Chicago
TAPS 34880
New Directions in Afro-Latin Performance
TAPS 34906
Performance Lab: The Classic as Contemporary
TAPS 35950
Beckett and Media
TAPS 31500
Advanced Acting
TAPS 36260
Katherine Dunham: Politics in Motion
TAPS 36290
Mapping Black Social Dance: Hip Hop and House in the Communi...
TAPS 38330
Oral History & Podcasting
TAPS 38421
Theater for Social Change
TAPS 41455
Music and Sound in Chinese Literature
TAPS 42021
Music, Colonialism, and Nationalism
TAPS 46202
Performance Theory: Action, Affect, Archive
TAPS 10200
Acting Fundamentals
TAPS 30700
Shakespearean Dramaturgies: Text/Medium/Performance and the...
TAPS 29900
Reading and Research
TAPS 28480
The Worlds of Harlequin: Commedia Dell'arte
TAPS 28467
Making and Meaning in the American Musical
TAPS 28435
Brecht and Beyond
TAPS 28421
Theater for Social Change
TAPS 28405
Shakespeare I: Histories and Comedies
TAPS 28330
Oral History & Podcasting
TAPS 28100
Lighting Design for the Stage
TAPS 27570
Scenic & Costume Design for the Stage
TAPS 27100
Scene Painting
TAPS 26530
Staging the Internet
TAPS 26516
Opera Across Media
TAPS 26290
Mapping Black Social Dance: Hip Hop and House in the Communi...
TAPS 26280
Site-Based Practice: Choreographing The Smart Museum